But it is also true that ghosts are never innocent: the unhallowed dead of the modern project drag in the pathos of their loss and the violence of the force that made them, their sheets and chains. To be haunted and to write from that location, to take on the condition of what you study, is not a methodology or a consciousness you can simply adopt or adapt as a set of rules or an identity; it produces its own insights and blindnesses. Following the ghosts is about making a contact that changes you and refashions the social relations in which you are located. It is about putting life back in where only a vague memory of a bare trace was visible to those who bothered to look. It is sometimes about writing ghost stories, stories that not only repair representational mistakes, but also strive to understand the conditions under which memory was produced in the first place, toward a countermemory, for the future.
- Avery Gordon, Ghostly Matters: Haunting and the Sociological Imagination (via multitudes)